{"id":4217,"date":"2018-03-02T13:19:07","date_gmt":"2018-03-02T13:19:07","guid":{"rendered":"http:\/\/www.maidenthebeast.com\/web\/?p=4217"},"modified":"2018-03-02T20:57:11","modified_gmt":"2018-03-02T20:57:11","slug":"martin-star-fish-birch","status":"publish","type":"post","link":"https:\/\/www.maidenthebeast.com.ar\/web\/martin-star-fish-birch","title":{"rendered":"Martin ‘Star-Fish’ Birch"},"content":{"rendered":"

\"Record<\/p>\n

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El mejor productor de Hard+Rock de la historia, ofreci\u00f3 varios de los mejores directos de rock que se han editado, ademas de lidiar con Egos y personalidades dif\u00edciles.<\/h3>\n

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El nombre de Martin Birch<\/strong>\u00a0aparece en varios de los \u00e1lbumes de hard rock y heavy metal m\u00e1s importantes de todos los tiempos. Este caballero ha producido, dise\u00f1ado y mezclado las bandas sonoras de nuestros j\u00f3venes. Ha trabajado con muchos de nuestros h\u00e9roes musicales durante largos per\u00edodos de tiempo; Probablemente podr\u00eda llenar un libro con sus experiencias con Deep Purple solo (siete \u00e1lbumes de estudio), y hacer de su trabajo con Iron Maiden (ocho) su volumen II …
\nY ni siquiera rascar la superficie de su experiencia.<\/p>\n

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Martin Birch<\/strong> naci\u00f3 el 27 de diciembre de 1948. Comenz\u00f3 su carrera en m\u00fasica como ingeniero de sonido con Jeff Beck, Fleetwood Mac y Deep Purple, produciendo e ingeniando once \u00e1lbumes para este \u00faltimo.<\/p><\/blockquote>\n

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Fue el primero en grabar las guitarras de armonizaci\u00f3n de Wishbone Ash Andy Powell y Ted Turner, y el primero en capturar las voces de armonizaci\u00f3n de Glenn Hughes y David Coverdale.
\nBirch estaba detr\u00e1s del tablero en Munich mientras que el solo de Ritchie Blackmore se convirti\u00f3 en un \u00e1lbum a solas, y dirigi\u00f3 el estudio m\u00f3vil de los Rolling Stones fuera de Festival Hall en Osaka, Jap\u00f3n en agosto de 1972 …
\nNo s\u00f3lo testigo de la historia que se est\u00e1 escribiendo, simplemente registrando la historia, sino que participando en ella; D\u00e1ndole forma.<\/p>\n

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Martin Birch<\/strong> era a menudo acreditado como productor \/ ingeniero, as\u00ed como para la mezcla, lo que significa que \u00e9l era el \u00fanico responsable del sonido general de sus proyectos.<\/p><\/blockquote>\n

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Esto a menudo significaba obtener actuaciones factibles de drogadictos, personalidades vol\u00e1tiles y, en algunos casos, personas con muy poco talento. En otros casos, significaba grabar en circunstancias extremadamente dif\u00edciles, incluidas las sesiones celebradas en un granero en el patio trasero de Steve Harris (No Prayer for the Dying) y en los fr\u00edos pasillos de un hotel vac\u00edo en Suiza (‘Machine Head’).<\/p>\n

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Sus apodos!<\/span>
\nBirch aparece en \u00e1lbumes \/ cr\u00e9ditos individuales con varios apodos entre bandos entre su nombre y apellidos, como:
\nBlack Night, Sir Larry, Basher, Big Ears, Court Jester, Doc, The Farmer, The Wasp, Headmaster, Jah, Live Animal, Masa, Mummy\u2019s Curse, Plan B, Pool Bully, The Bishop, The Juggler, The Ninja, Martin \u2018Phantom of the Jolly Cricketers\u2019 Birch, como se acredita en el single de Iron Maiden \u2018Run to the Hills\u2019 (Live)\/\u2019Phantom of the Opera\u2019 (Live), y Martin \u2018Disappearing Armchair\u2019 Birch, seg\u00fan lo acreditado en el lp del \u2018Seventh Son of a Seventh Son\u2019.
\nEsta no es una lista completa. Un tipo con muchos apodos tiene algunas experiencias de vida para compartir.<\/p>\n

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Pero, \u00bfqu\u00e9 hay en este hombre que lo pone en la misma habitaci\u00f3n con estos m\u00fasicos una y otra vez?<\/span>
\n \u00bfQu\u00e9 trae a la mesa que lo distingue de sus compa\u00f1eros?<\/span>
\nMe encantar\u00eda leer su propia opini\u00f3n sobre por qu\u00e9 \u00e9l era el tipo de go-to para muchas bandas ic\u00f3nicas. Claramente el hombre tiene un excelente conjunto de orejas, pero tambi\u00e9n debe poseer un talento extraordinario para inspirar y motivar a la gente art\u00edstica. Deep Purple MkII le dedic\u00f3 una canci\u00f3n en ‘Deep Purple In Rock’ (‘Hard Lovin’ Man ‘) y lo llam\u00f3 un catalizador, \u201cFor Martin Birch \u2013 catalyst\u201d en las notas de l\u00ednea; Alta alabanza que viene de una de las bandas pesadas m\u00e1s creativas y progresivas de la era. Aqu\u00ed hay una historia interesante y hist\u00f3ricamente significativa: c\u00f3mo un hombre ayud\u00f3 a moldear y dar forma a todo un g\u00e9nero durante m\u00e1s de dos d\u00e9cadas.<\/p>\n

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\u00bfHay un ‘Sonido Martin Birch’?<\/span>
\nLas producciones de Birch comparten una \u00abpresencia\u00bb global similar; Es todo sobre el espacio s\u00f3nico y el equilibrio dentro de ese espacio; Gran parte de esto sucede en la mezcla, y (como usted est\u00e1 notando mientras lee esto), es muy dif\u00edcil de describir. Birch crea un espacio donde cada instrumento se puede o\u00edr perfectamente, y donde cada elemento tiene exactamente la forma y la presencia \u00abcorrectas\u00bb en la mezcla, y trabaja junto para crear un sonido casi s\u00f3lido, tridimensional.
\nYo sugerir\u00eda que el ‘Live Rock and Roll’ de Rainbow, el ‘Piece of Mind’ de Iron Maiden y el ‘Heaven and Hell’ de Black Sabbath como excelentes ejemplos de lo que suena una producci\u00f3n \/ mezcla de Martin Birch.
\nTres bandas muy diferentes con tres sonidos muy diferentes; Una presentaci\u00f3n s\u00f3nica consistente.<\/p>\n

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Despu\u00e9s de ‘Slide It In’ de Whitesnake en 1984, Birch fue requisado para trabajar exclusivamente para Iron Maiden. Algunos lo han llamado \u00abS\u00e9ptimo Miembro\u00bb de Iron Maiden (despu\u00e9s de Eddie).<\/p>\n

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Martin Birch se retir\u00f3 definitivamente en 1992, despu\u00e9s de su en\u00e9simo \u00e1lbum con Maiden, ‘Fear of the Dark’, aparece en el videoclip \u00abHoly Smoke\u00bb.<\/p>\n

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Cambios dr\u00e1sticos en la tecnolog\u00eda de grabaci\u00f3n llevaron a cambios sutiles en la presentaci\u00f3n de la firma de Martin Birch, evidente en los \u00e1lbumes de ‘Seventh Son’ y ‘Somewhere in Time’ de Iron Maiden, y tal vez Birch sab\u00eda que su era estaba llegando a su fin.<\/p>\n

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Ten\u00eda apenas 42 a\u00f1os cuando se alej\u00f3 del negocio; Hace unos d\u00edas acaba de cumplir sus 69.<\/p>\n

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Discograf\u00eda seleccionada<\/strong><\/span><\/p>\n

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Fleetwood Mac<\/b><\/i><\/p>\n


\n<\/b>1969 –\u00a0Then Play On<\/a>\u00a0(engineer)
\n<\/i>1970 –\u00a0Kiln House<\/a>\u00a0(engineer)
\n<\/i>1972 –\u00a0Bare Trees<\/a>\u00a0(engineer)
\n<\/i>1973 –\u00a0Penguin<\/a>\u00a0(producer, engineer, mixing)
\n<\/i>1973 –\u00a0Mystery to Me<\/a>\u00a0(producer, engineer, guitar)<\/i><\/p>\n

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Deep Purple<\/b><\/i><\/p>\n

1969 –\u00a0Concerto for Group and Orchestra<\/a>\u00a0(engineer)
\n<\/i>1970 –\u00a0Deep Purple in Rock<\/a>\u00a0(engineer)
\n<\/i>1971 –\u00a0Fireball<\/a>\u00a0(engineer)
\n<\/i>1972 –\u00a0Machine Head<\/a>\u00a0(engineer)
\n<\/i>1972 –\u00a0Made in Japan<\/a>\u00a0(engineer)
\n<\/i>1973 –\u00a0Who Do We Think We Are<\/a>\u00a0(engineer)
\n<\/i>1974 –\u00a0Burn<\/a>\u00a0(engineer, mixing)
\n<\/i>1974 –\u00a0Stormbringer<\/a>\u00a0(co-producer, engineer, mixing)
\n<\/i>1975 –\u00a0Come Taste the Band<\/a>\u00a0(co-producer, engineer, mixing)
\n<\/i>1976 –\u00a0Made in Europe<\/a>\u00a0(co-producer, engineer, mixing)- recorded live in April 1975
\n<\/i>1977 –\u00a0Last Concert in Japan<\/a>\u00a0(co-producer, engineer) – recorded live in December 1975<\/i><\/p>\n

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Jon Lord<\/b><\/i><\/p>\n

1971\u00a0Jon Lord<\/a>\u00a0–\u00a0Gemini Suite<\/a>\u00a0(engineer)
\n<\/i>1976\u00a0Jon Lord<\/a>\u00a0– Sarabande (producer, engineer, remixing)
\n<\/i>1974\u00a0Tony Ashton<\/a>\u00a0&\u00a0Jon Lord<\/a>\u00a0–\u00a0First of the Big Bands<\/a>\u00a0(engineer)
\n<\/i>1977\u00a0Paice, Ashton & Lord<\/a>\u00a0– Malice in Wonderland (engineer)<\/i><\/p>\n

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Wishbone Ash<\/b><\/i><\/p>\n

1970 –\u00a0Wishbone Ash<\/a>\u00a0(engineer)
\n<\/i>1971 –\u00a0Pilgrimage<\/a>\u00a0(engineer)
\n<\/i>1972 –\u00a0Argus<\/a>\u00a0(engineer)<\/i><\/p>\n

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Rainbow<\/b><\/i><\/p>\n

1975 –\u00a0Ritchie Blackmore\u2019s Rainbow<\/a>\u00a0(co-producer, engineer, mixing)
\n<\/i>1976 –\u00a0Rising<\/a>\u00a0(producer, engineer, mixing)
\n<\/i>1977 –\u00a0On Stage<\/a>\u00a0(producer, engineer, mixing) – recorded live in 1976
\n<\/i>1978 –\u00a0Long Live Rock ‘n\u2019 Roll<\/a>\u00a0(producer, engineer, mixing)
\n<\/i>1986 –\u00a0Finyl Vinyl<\/a>\u00a0(producer) – collection<\/i><\/p>\n

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Whitesnake<\/b><\/i><\/p>\n

1978 –\u00a0Snakebite<\/a>\u00a0(producer)
\n<\/i>1978 –\u00a0Trouble<\/a>\u00a0(producer)
\n<\/i>1978 –\u00a0Live at Hammersmith<\/a>\u00a0(producer)
\n<\/i>1979 –\u00a0Lovehunter<\/a>\u00a0(producer, engineer)
\n<\/i>1980 –\u00a0Ready an\u2019 Willing<\/a>\u00a0(producer, engineer, mixing)
\n<\/i>1980 –\u00a0Live\u2026In the Heart of the City<\/a>\u00a0(producer, engineer) – recorded live in 1978 and 1980
\n<\/i>1981 –\u00a0Come an\u2019 Get It<\/a>\u00a0(producer, engineer, mixing)
\n<\/i>1982 –\u00a0Saints & Sinners<\/a>\u00a0(producer, engineer, mixing)
\n<\/i>1984 –\u00a0Slide It In<\/a>\u00a0(producer)<\/i><\/p>\n

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Black Sabbath<\/b><\/i><\/p>\n

1980 –\u00a0Heaven and Hell<\/a>\u00a0(producer, engineer)
\n<\/i>1981 –\u00a0Mob Rules<\/a>\u00a0(producer, engineer)<\/i><\/p>\n

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Blue \u00d6yster Cult<\/b><\/i><\/p>\n

1980 – Cult\u00f6saurus Erectus<\/a>\u00a0(producer, engineer)
\n<\/i>1981 –\u00a0Fire of Unknown Origin<\/a>\u00a0(producer, engineer)<\/i><\/p>\n

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Iron Maiden<\/b><\/i><\/p>\n

1981 –\u00a0Killers<\/a>\u00a0(producer, engineer)
\n<\/i>1982 –\u00a0The Number of the Beast<\/a>\u00a0(producer, engineer)
\n<\/i>1983 –\u00a0Piece of Mind<\/a>\u00a0(producer, engineer, mixing)
\n<\/i>1984 –\u00a0Powerslave<\/a>\u00a0(producer, engineer, mixing)
\n<\/i>1985 –\u00a0Live After Death<\/a>\u00a0(producer, engineer, mixing)
\n<\/i>1986 –\u00a0Somewhere in Time<\/a>\u00a0(producer, engineer, mixing)
\n<\/i>1988 –\u00a0Seventh Son of a Seventh Son<\/a>\u00a0(producer, engineer, mixing)
\n<\/i>1990 –\u00a0No Prayer for the Dying<\/a>\u00a0(producer, engineer, mixing)
\n<\/i>1992 –\u00a0Fear of the Dark<\/a>\u00a0(producer, engineer, mixing)<\/i><\/p>\n

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Other artists
\n<\/b><\/i>1969\u00a0Jeff Beck<\/a>\u00a0–\u00a0Beck-Ola<\/a>\u00a0(engineer)
\n<\/i>1970\u00a0Peter Green<\/a>\u00a0–\u00a0The End of the Game<\/a>\u00a0(engineer)
\n<\/i>1970\u00a0The Groundhogs<\/a>\u00a0–\u00a0Thank Christ for the Bomb<\/a>\u00a0(engineer)
\n<\/i>1971\u00a0Stackridge<\/a>\u00a0–\u00a0Stackridge<\/a>\u00a0(engineer)
\n<\/i>1971\u00a0Canned Heat<\/a>\u00a0and\u00a0John Lee Hooker<\/a>\u00a0– Hooker ‘N\u2019 Heat (Mixdown Engineer) – recorded in 1970<\/span>
\n<\/i>1971\u00a0Skid Row<\/a>\u00a0–\u00a034 Hours<\/a>\u00a0(engineer)
\n<\/i>1971\u00a0Toad<\/a>\u00a0–\u00a0Toad<\/a>\u00a0(engineer)
\n<\/i>1971\u00a0Faces<\/a>\u00a0–\u00a0Long Player<\/a>\u00a0(engineer)
\n<\/i>1971\u00a0Jodo\u00a0\u201cGuts\u201d LP (engineer)
\n<\/i>1972\u00a0Silverhead<\/a>\u00a0– Silverhead (producer)
\n<\/i>1972\u00a0Toad<\/a>\u00a0– Tomorrow Blue (engineer)
\n<\/i>1972\u00a0Flash<\/a>\u00a0– Flash (engineer)
\n<\/i>1972 Flash – In the Can (engineer)
\n<\/i>1973\u00a0Gary Moore<\/a>\u00a0–\u00a0Grinding Stone<\/a>\u00a0(producer, engineer)
\n<\/i>1978\u00a0The Electric Chairs\u00a0-\u201cThe Electric Chairs\u201d(producer)
\n<\/i>1978\u00a0Wayne County & the Electric Chairs<\/a>\u00a0– Storm The Gates Of Heaven (producer)
\n<\/i>1978\u00a0Wayne County & the Electric Chairs<\/a>\u00a0– Blatantly Offensive E.P. (producer)
\n<\/i>1978\u00a0Roger Glover<\/a>\u00a0–\u00a0Elements<\/a>\u00a0(producer)
\n<\/i>1979\u00a0Cozy Powell<\/a>\u00a0–\u00a0Over the Top<\/a>\u00a0(producer)
\n<\/i>1982\u00a0Michael Schenker Group<\/a>\u00a0–\u00a0Assault Attack<\/a>\u00a0(producer, engineer)<\/i><\/p>\n

\u00a0<\/b><\/i><\/p>\n

Gracias a estas fuentes, marceloalberian.tumblr.com,\u00a0<\/a><\/b><\/i> ,\u00a0wikipedia
\nEspecialmente a\u00a0mayobat.wordpress.com<\/a><\/strong><\/em> el tronco de la nota es de ac\u00e1.<\/p>\n

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 <\/p>\n","protected":false},"excerpt":{"rendered":"

  El mejor productor de Hard+Rock de la historia, ofreci\u00f3 varios de los mejores directos de rock que se han editado, ademas de lidiar con Egos y personalidades dif\u00edciles.   El nombre de Martin Birch\u00a0aparece en varios de los \u00e1lbumes de hard rock y heavy metal m\u00e1s importantes de todos los tiempos. Este caballero ha […]<\/p>\n","protected":false},"author":2,"featured_media":4347,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[6],"tags":[321,319,318,15,313,320,330,8],"class_list":["post-4217","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-notes","tag-black-sabbath","tag-deep-purple","tag-fleetwood-mac","tag-iron-maiden","tag-martin-birch","tag-rainbow","tag-ritchie-blackmore","tag-steve-harris"],"yoast_head":"\nMartin 'Star-Fish' Birch - Iron Maiden - The Beast<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.maidenthebeast.com.ar\/web\/martin-star-fish-birch\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Martin 'Star-Fish' Birch - Iron Maiden - The Beast\" \/>\n<meta property=\"og:description\" content=\"  El mejor productor de Hard+Rock de la historia, ofreci\u00f3 varios de los mejores directos de rock que se han editado, ademas de lidiar con Egos y personalidades dif\u00edciles.   El nombre de Martin Birch\u00a0aparece en varios de los \u00e1lbumes de hard rock y heavy metal m\u00e1s importantes de todos los tiempos. 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